Tuesday, December 15, 2020

Portrait of Camille

…and there she was. I had waited some days to hear from her after returning from our recent holiday where our paths had first crossed, knowing she had also gone back to her capital city home a day or so later, and when it had finally dropped into my email inbox – word from her – a surge of excitement had coursed through me. She had sweetly asked beforehand what she needed to prepare, but it was much simpler than that. All she needed to do was appear and talk. For me, it was the essence of being, of what one was that I wanted to capture. People’s strengths and limitations on show. They were revealed in much of what a person did and what they said.

Now, she was sitting in front of me, at least via a smartphone screen. Failing to coincide on a regular video chat platform, we were now talking on one of the commonly used chat apps, so my view of her, my window to where she was, was rather small, though it would indeed suffice. I wanted to use my index finger and thumb to zoom in on her, to enlarge her presence in my room, though maybe she would do that anyway, with her words, gestures, her expressions, and the essence of her spilling forth.

Early in the conversation, Camille openly acknowledges her need to grow and talk more about herself and not only others, not only exploring her outward curiosity, as the dialogue clicks from the offset. She is extremely receptive, fluidly answering any questions I field to her. It feels that whatever negative forces Camille has in her life they do not hold her back for long and her radiant warmth spreads beyond her room and into my own as our talk progresses.           

Her eyes sparkle as she talks about her big city life, an undeniable adventure, and her plan to remain there as well as the love that took her to those foreign shores in the first place, how that romance ended, and how she overcame the negative attachment to the city that rupture had caused, subsequently building a life for herself there. She talks so openly, so comfortably. She fascinates, a jewel shining light in many directions, inspiring thoughts, questions, a glorious buzzing sensation in the mind. Her stories and anecdotes about where she now resided, Germany and the differences between the people in the two places are such a rich and compelling series of moments – a tapestry - it is hard not to feel drawn toward the screen. I wish I could frame the dialogue. Maybe I am doing.

She is drinking a can of non-alcoholic Heineken, which is only “alright” out of a can (compared to a recent and superior restaurant experience of the same beverage).

We discuss bright, positive energy – even a glow – and how we both saw it in one another when we first met earlier this month. And the sea rushes and the sea whispers in the background.

She has tied her hair back. At the start of the call, it was loose, revealing what I had not seen in our previous encounter, the hair falling to just above her shoulders. There was a crossroads where dark blonde and light brown met and still shared multiple shades. I was attempting to work out if her hair was at precisely the inter-section and Camille corrected me and stated that ‘leberwurst’ was much more fitting, saving my minor turmoil in figuring the puzzle out. I have never heard hair described as that shade before, but when it came to descriptions of this aspect of ourselves people were highly creative, and, well, what did I know?

Camille is sitting on a stool with a cushion that she says is comfortable. She has her legs up and likes that position. It is brilliant to see and be talking with her. Her face breaks into smiles frequently. We have a moment’s silence (the first of the call), beautifully shared, before we discuss silence and what an incredible companion it can be. She comes closer to the screen to show me the colour of her eyes – they are blue and wide and simply stunning, filled with secrets and magic. She is wearing a ‘Bordeaux’-coloured shirt (with white buttons), as she tells me when I ask (I am moving the pen, but she is aiding the process), and her light-blue and white striped pyjama bottoms which I am told are wonderfully comfortable, too.

A black digital Casio watch with a black plastic strap adorns her left wrist. The seconds are ticking, adding up, counting down, as we sit and chat, as we take the time that people seldom seem to anymore. As she is ageing, she says she becomes more adventurous than when she was younger, and there is a thrilling and excited spark in her eye lost by many who have reached the same age, even years before. Her cheeks are wonderfully sculpted - prominent on her face - and rosy red, even more when I tell her and, drawing the attention to them, embarrass her a little.

We then talk about the portrait concept. She says it is brilliant as a gift idea, for which it had been planned for a while now. Her words of encouragement are appreciated and the mission of using some of my writing to interact with people appears to hold great potential.

I get the feeling we could talk for hours, passing through a ferocious amount of terrain. We could wander the streets of a city a la Delpy and Hawke in Richard Linklater film Before Sunrise and enjoy the words until they had been drained and silence took over. She would twist and turn like a book you cannot put down, eyes fixed on those pages. Her hair while quite short and sharp is beautiful and is a frame befitting the artwork inside it. The hair has a kink in it from being tied back that gives it a curve in its middle, a waterfall hitting rocks halfway down.

She is in her early thirties, her experience echoing in her shell, rebounding off the walls. Her gestures have a musicality to them, flowing, natural, a little like water. Water that whispers and throbs just as the sea did when first we met. She has small lines connecting her nose to her mouth that become more noticeable when she smiles. Another silence passes between us as she allows me a moment of concentration to get down my thoughts. To write and interact simultaneously is not an easy feat. She is patient when I require it. I notice her in the silence, staring intently at me, wondering what I could be writing about her, curious about my words, the shape and soul of them, how I might portray her. She takes a sip of water. I try to see it all, but it just is not possible, with such a wealth of ideas and of imagery (both past and present) in one small screen and its contents.

The cool, pretty, and easy-going woman from the beach had transferred over to the video chat and it was delightful to spend over an hour in her company again, as the questions and intrigue spilled out of her, as life took a grasp of the moment and pulsated like a quickening heart pumping blood.

Did you ever get the feeling of a moment being so rich you could not possibly remember it, couldn’t possibly take all you wanted to from it, couldn’t milk it of all the beauty it possessed?

This beautiful woman rich of soul and with a vast depth of character transcends nationality and for whatever flaws she may have, the challenging, special, and vibrant side of her will always win out. She is an artistic inspiration without doubt or diminishing. She describes herself as full of contradiction – though who truly is not, whether others are even capable of spotting that or not – empathetic, curious, insecure, and strong, open, and social when I ask her to describe herself. Her answer has gone above and beyond once more and some of those attributes that people may deem negatives are clearly what makes her sparkle as she does.

Camille has a black hairband on her right wrist. I had asked to see her with her hair down again and she had kindly obliged.

The way she talks in English is eloquent and coherent, and I wonder how elegant she is in the remainder of her life, whether she wears dresses and dances into the night or not. Some of what she says indicates the psychology profession she works in. It is a fascinating portrait and as I see her looking back at me, I wonder who is under the microscope, who is on display, who is being eternally memorised in words and moving picture memories… me or her?

Contemplating the woman before me is magically intense. I have sweated a little towards the end of the portrait. It is hardly surprising; I had known all along that I would be in the presence of a female work of art. With any luck the results of my writing might just do her justice.

 


Footnote - From 19:35 on Tuesday 22nd September 2020 our exchange was one hour and nineteen minutes or 2.13 GB of video dialogue internet data. That was the portrait in mechanical, in technological terms. It did not reveal the soul of the talk, nor did it reflect the humanity shared and the questions and answers logged. It was impersonal data at best.

Landscape of a Kindergarten

Life was everywhere. And I approached Life and asked it if I could write about it. I bowled right up to it on this occasion. Life had often ...